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  • Separate little list that will put up amazing condition but cheap and semi-rare slides and spare copies of records that do NOT feature on our Rare Records Catalogue.
  • This little list will be updated every 10 days or so with a handful of new additions of super clean killer records that are cheap or offered below market value, our “collateral damage” offerings so to speak that drifted into our orbit.
  • As opposed to our main Rare Record Catalogue – we do not sent out an update mailing list for this little venture. So better check in ever so often to not miss out on any dead cheap and EX & NM killer sonics.
  • Only EX/ NM condition records will be offered so…cheap and clean fun for days.

UPDATED FEBRUARY 3rd, 2025

Clean & mean top condition killer slides for cheap!
1. ART ENSEMBLE of CHICAGO: “a.a.c.m., Great Black Music – A Jackson In Your House” (BYG Records/ Nippon Columbia – BYG-2) (Record: Near Mint/ Gatefold Jacket: Near Mint/ Attached Insert: Near Mint). Japn 1st press original in top condition. Price: 35 Euro
2. ART ENSEMBLE of CHICAGO: “Certain Blacks” (America – 6098) (Record: Near Mint/ Jacket: Excellent) original French first press issue in top shape. Price: 35 Euro
3. AYLER, ALBERT: “The Last Album” (Impulse – AS-9208) (Record: Near Mint/ gatefold Jacket: Excellent). Original French press issue. Price: 30 Euro
4. The FABULOUS PAUL BLEY QUINTET: "S/T" (Columbia - YS-2756-MU) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint). Japan very first press original - killer slide with Bley flanked by Don Cherry, Ornette Coleman, Charlie Haden and Billy Higgins. Price: 20 Euro
5. PAUL BLEY TRIO: “Touching” (Freedom – PA-9712) (Record: Near Mint/ Jacket: Near Mint/ Obi: Near Mint/ Insert: Near Mint). Japan press – 2nd issue with alternate sleeve art in top condition. On “Touching” Bley gets flanked by Kent Carter on bass and Barry Altschul on drums and as a trio they started recording compositions that featured works by Carla Bley, Ornette Coleman and Gary Peacock's wife Annette Peacock. Several trio projects materialized in Scandinavia during the years 1965-1966; from this point on Bley would spend increasing amounts of time performing and recording in Europe. “Touching” was recorded and released during that period and shows Bley in top form, free roaming on the keys but yet very lyrical in his approach, making the recording such a thrill to lend your ears to. "Pablo" is a free improvisation but otherwise the compositions contrast thoughtful moments with fiery group interaction. The playing by the trio is at a high level and it is interesting to hear Paul Bley’s mid-'60s avant-garde improvising style, which offered a contrast to the denser playing of Cecil Taylor. Beautiful recording!!! Just stellar, Paul Bley will be missed indeed. Virginal condition! Price: 30 Euro
6. BLEY, PAUL: "Open To Love" (ECM Records/ Trio Records - ECM-4006) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Price: 15 Euro
7. BOOKER ERVIN: “The Book Cooks” (Bethlehem/ CBS Sony – 22AP-200) (Record: Mint/ Jacket: Mint – still housed in shrink/ Insert: Mint/ Obi: Mint still encapsulated in shrink) Pristine Japanese pressing – top shape with obi and in shrink. Price: 35 Euro
8. GARY BURTON QUARTET: “In Concert – Recorded Live at Carnegie Recital Hall” (Victor Records – SHP-5737) (Record: Near Mint/ Jacket: Near Mint/ Obi: Near Mint) Very first Japanese original press issue all complete with obi. The final recording by Gary Burton’s classic quartet (features the vibraphonist/leader, guitarist Larry Coryell, bassist Steve Swallow and drummer Bob Moses mixing together aspects of rock, country and folk music in their advanced improvisations. The material (by Mike Gibbs, Burton, Coryell and Bob Dylan) is quite strong, and there are some hints of the avant-garde seeping through the cracks. Essential listening material. Top shape with very first obi. Price: 35 Euro
9. GARY BURTON: "Seven Songs For Quartet" (ECM Records/ Trio Records - PAP-9009) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Top condition Japan original press./ Price: 15 Euro
10. The BYRDS: “Original Byrds” (Asylum/ warner Pioneer Japan – P-4533Y) (Record: Near Mint/ Gatefold Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint) Stupidly clean virginal condition of Japanese pressing. Totally overlooked Byrds LP but damned so great. All complete with obi and insert. Price: 30 Euro
11. CANNONBALL ADDERLY – JULIAN ADDERLEY QUINTET: “Portrait of Cannonball” (Riverside/ Victor Musical Industries – SMJ-6083) (Record: side A is Excellent – has one hairline scuff on track 2 – Side B is Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Awesome Japanese pressing in great shape. Price: 30 Euro
12. CARTER, RON: "Pastels" (Milestone/ Victor Records - SMJ-6162) (Record: Near Mint/ Gatefold Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Price: 15 Euro
13. CHARLES, RAY: "Volcanic Action Of My Soul" (ABC Records/ King Records - SR650) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). WHITE label PROMO issue - Japan 1st original press issue. Price: 25 Euro
14. CLARKE, STAN: "Children of Forever: (Polydor - MP-2325) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint). Top shape Japan original. Price: 15 Euro
15. COLEMAN, ORNETTE: “Free Jazz” (Atlantic – P-7511A) (Record: Near Mint/ Gatefold Jacket: Near Mint/ Insert: Mint/ Obi: Excellent). Top shape Japanese pressing with killer sound. Japan all complete later press issue in awesome condition and all complete with OBI. Originally released in 1960, Free Jazz was recorded in one uninterrupted take: Coleman, Scott LaFaro, Don Cherry, & Billy Higgins are on the left stereo channel; Eric Dolphy, Freddie Hubbard, Charlie Haden and Ed Blackwell are on the right. "We were expressing our minds and emotions as much as could be captured by electronics." Massive and one of the cornerstones of every self-respecting jazz collection or for anyone with 2 decent ears. You cannot live without this one. Great Japanese press issue and top shape. Virginal!!! Price: 30 Euro
16. COLTRANE, JOHN: “Ascension” (Impulse/ MCA Records  - VIM-4624) (Record: Near Mint/ Gatefold Jacket: Excellent ~ Near Mint with some foxing visible inside gatefold/ Insert: Near Mint/ Obi: Near Mint). Another classic all complete with obi for next to nothing. Price: 25 Euro
17. CRISS, SONNY: “Up, Up & Away” (Prestige/ Victor Records – SMJ-7491) (Record: Near Mint/ Jacket: Near Mint/ Obi: Near Mint). Japan original 1st press with rare very first obi issue. Altoist Sonny CrissPrestige recordings of the late 1960s generally included a current pop tune or two along with some stronger jazz pieces. This LP is of particular interest because the intense altoist is teamed with guitarist Tal Farlow, pianist Cedar Walton, bassist Bob Cranshaw and drummer Lenny McBrowne. "Up, Up and Away" (the Fifth Dimension hit) has more challenging chord changes than one would think and, although "Sunny" is lightweight, Criss really digs in and uplifts it. In addition, the leader overflows "Willow Weep for Me" with soul, plays a strong solo on Horrace Tapscott’s "This Is for Benny" and displays his blues roots on "Paris Blues." However the highpoint is a burning rendition of "Scrapple from the Apple" that finds Criss and Farlow engaged in torrid trade-offs. So this LP is more rewarding than it might appear at first glance. Price: 35 Euro
18. TED CURSON QUARTET: “Urge” (Fontana – 195J-27) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint). Rare Japan 1st original pressing in immaculate condition. Recorded in Copenhagen during a well-received European tour, the album features tenor-man/clarinetist Bill Barron (pianist Kenny's brother and a regular foil for Curson during this period), as well as bassist Herb Bushler and drummer Dick Berk for a romp through odd meters, Berk keeping a strong forward accent and dissonant head arrangements that seem to mark a turning point in Curson's music. The group met with extraordinary popularity, overstaying a gig at Paris' Blue Note club from two months to six before the musicians' union essentially kicked them out of the country, the Curson-Barron quartet did meet with some hostility for, ironically, the use of a white rhythm section. This was especially true in Holland, where, according to Curson, the German drummer and Jewish bassist were routinely booed and catcalled. Echoes of Curson's previous employers Mingus and Cecil Taylor are here, not to mention the free-bop aesthetic that would inform his work with the New York Contemporary Five (replacing for a time Don Cherry) and Archie Shepp. Curson is somewhat of a missing link between the ephemeral quality held by Miles and the stabbing brilliance of Booker Little, a rare example of brassy bravura in an age marked more by the saxophone's sway. Price: 35 Euro
19. DOLLAR BRAND: "The Children of Africa" (Enja/ Polydor - 28MJ3240) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Price: 15 Euro
20. DOLPHY, ERIC: “Outward Bound” (Prestige/ Victor Records – SMJ-6514) (Record: Near Mint/ Jacket: Excellent ~ Near Mint – faintest trace of foxing on back/ Insert: Near Mint/ Obi: Near mint). Clean & mean Japanese pressing from 1976 all complete with obi. Essential ear candy! Price: 35 Euro
21. DOLPHY, ERIC: “At The Five Spot” (Prestige – LLP-88131) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Japan original pressing – 2nd issue with obi. Rare Japan 1964 original 1st pressing in amazing condition. “This is the second of three sets that document the Erik Dolphy/ Booker Little quintet's playing at the Five Spot. It features a group made up of pianist Mal Waldron, bassist Richard Davis and drummer Ed Blackwell really stretching out during long versions of Little’s "Aggression" and the standard "Like Someone in Love." Dolphy’s playing -- whether on alto, bass clarinet or flute -- always defied categorization, while Little (who passed away less than three months later) was the first new voice on the trumpet to emerge after Clifford Brown’s death in 1956. An excellent set that records what may have been Dolphy’s finest group ever, as well as one of that era's best working bands.” (All Music Guide) Indispensable! Price: 30 Euro
22. DOLPHY, ERIC: “Eric Dolphy at the Five Spot – Vol. 1” (Prestige/ Victor Records – SMJ-6572) (Record: Near Mint/ Jacket: Excellent ~ Near Mint – faintest trace of foxing on back/ Insert: Excellent – some foxing/ Obi: Near Mint). Japanese pressing from 1976 of seminal and awesome Dolphy slide. If the original is out of reach, this is the next best substitute around. Music is killer. Price: 35 Euro
23. DOLPHY, ERIC: “Eric Dolphy at the Five Spot – Vol. 2” (Prestige/ Victor Records – SMJ-6573) (Record: Near Mint/ Jacket: Excellent ~ Near Mint – faintest trace of foxing on back/ Insert: Excellent – some foxing/ Obi: Excellent). Japanese pressing from 1976 of seminal and awesome Dolphy slide. Price: 30 Euro
24. DOLPHY, ERIC: “Eric Dolphy at the Five Spot, Vol. 2” (Prestige/ Victor Records – SMJ-6573) (Record: Near Mint/ Jacket: Excellent ~ Near Mint/ Insert: Near Mint/ Obi: Near Mint). Price: 25 Euro
25. DOLPHY, ERIC: “Eric Dolphy In Europe, Vol. 2” (Prestige/ Victor Records – SMJ-6576) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). The second issue of a couple of concerts featuring multi-instrumentalist Eric Dolphy with a Danish rhythm section (pianist Bent Axen, bassist Erik Moseholm and drummer Jorn Elniff) in Copenhagen has its share of fine music. While the structures are generally boppish, Dophy typically improvises in his own advanced vocabulary. He plays flute on two versions of "Don't Blame Me" and switches to alto for "The Way You Look Tonight," "Les" (which is mistitled "Miss Ann"), and an emotional version of "Laura." Stunning from start to finish! Price: 30 Euro
26. DOLPHY, ERIC: “In Europe – Volume 3” (Prestige/ Victor – SMJ-6577) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Pristine condition Japanese press issue all complete with obi. This is volume 3 of Prestige's set of European recordings by Dolphy, some of the last he would make before he passed away at a very young age. The group features Swedish piano giant Bent Axen, plus a rhythm section that includes Erik Moseholm on bass and Jorn Elniff on drums. Like most Dolphy recordings from the time, however, the main focus is on Dolphy himself, and the long tracks feature some beautiful extended solos on alto and bass clarinet. Price: 30 Euro
27. DOLPHY, ERIC: “Last Date” (Fontana/ Nippon Phonogram – SGD-54) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Top condition high-quality pressing. “Allegedly Dolphy’s final recorded performance, this session in Hilversum, Holland, teams the masterful bass clarinetist, flutist, and alto saxophonist with a Dutch trio of performers who understand the ways in which their hero and leader modified music in such a unique, passionate, and purposeful way far from convention. In pianist Misha Mengelberg, bassist Jacques Schols and drummer Han Bennink, Dolphy was firmly entwined with a group who understood his off-kilter, pretzel logic concept in shaping melodies and harmonies that were prime extensions of Monk, Coleman and Cecil Taylor. These three Dolphy originals, one from Monk, one from Mengelberg and a standard are played so convincingly and with the utmost courage that they created a final stand in the development of how the woodwindist conceived of jazz like no one else before, during, or after his life. Utterly masterful on his flute during "You Don't Know What Love Is," Dolphy’s high-drama vibrato tones are simply out of this or any other world, perfectly emoting the bittersweet intent of this song. The ribald humor demonstrated during "Miss Ann" is a signature sound of Dolphy’s alto sax, angular like Monk, jovial and more out of the box while he digs in. Where "Epistrophy" might seem standard fare to some, with Dolphyon bass clarinet it is based on voicings even more obtuse than the composer's concept, bouncing along the wings of Mengelberg’s piano lines. The post-bop blues of "South Street Exit" is tuneful while also breaking off into tangents, with Bennink’s crazy drumming acting like shooting, exploding stars. As the definitive track on this album, "The Madrig Speaks, the Panther Walks" demonstrates the inside-out concept, with mixed tempos changed at will and a 6/8 time insert with Dolphy’s choppy alto merging into playful segments as the title suggests -- a most delightful track. The ridiculously titled "Hypochristmutreefuzz" might be the most understated fare in its more simple angularity, as Schols plays his bass in the upper register while the band dances around him. Last Date is one of those legendary albums whose reputation grows with every passing year, and deservedly so. While it reveals more about the genius rhythm section than Dolphy himself, it also marks the passing of one era and the beginning of what has become a most potent and enduring legacy of European creative improvised tradition, started by Mengelberg and Bennink at this mid-'60s juncture.” (All Music Guide). One word – Indispensable!!! Price: 35 Euro
28. DOLPHY, ERIC: “Berlin Concerts” (Enja/ Nippon Phonogram – SFX-10049~50) ( 2 LP Record: Near Mint/ Gatefold Jacket: Near Mint with faintest trace of foxing/ Insert: Near Mint/ Obi: Near Mint). Beautiful & all complete Japanese press original. Wonderful work by Dolphy -- as essential to his catalog as any of his albums on Prestige from the same time! Although Dolphy broke plenty of musical barriers in the studio, to our ears, it was always in a live setting that he sounded best -- freely exploring the kind of space his playing opened up, hitting notes that were more soulful and spiritual than many that he ever recorded on his studio sides. This set is a perfect example of that trend -- as Dolphy's working here with a strong straight jazz combo, one that includes the great Benny Bailey on trumpet, in a set that features familiar tunes, turned into haunting explorations of Dolphy's new jazz idiom. One of the highlights is an incredible 15-minute version of Randy Weston's "Hi Fly", with Dolphy doing great work on flute. Price: 35 Euro
29. DONALD BYRD: “Byrd In Paris Vol. 1” (Polydor – SGD-51) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Top condition high-quality Japan press issue that saw the light of day back in 1991. Trumpeter Donald Byrd spent a few months in France in 1958, and a Paris concert resulted in two LPs' worth of material. Byrd’s quintet at the time included Bobby Jaspar (on tenor and flute), pianist Walter Davis Jr., bassist Doug Watkins and drummer Art Taylor. Byrd was just beginning to find his own sound in the late '50s and he is in excellent form on "Dear Old Stockholm," Sonny Rollins’ "Paul's Pal," Jaspar’s "Flute Blues," "Ray's Idea," and "The Blues Walk." This is a fine all-around hard bop session. Price: 35 Euro
30. DORHAM, KENNY & JACKIE McLEAN: “Inta Somethin’” (Liberty – LLJ-70034) (Record: Near Mint ~ Mint/ Jacket: Near Mint/ Insert: Mint/ Obi: Mint). Rare Japan later pressing! Inta Somethin' is a wonderful live session from the legendary trumpeter Kenny Dorham and alto sax great Jackie McLean, recorded live at the Jazz Workshop in San Francisco in the winter of 1961. Featuring four standards bookended by two Dorham originals, the album also includes contributions from dynamic bassist Leroy Vinnegar amongst others. Inta Somethin' is a classic hard bop live session that includes a version of Dorham's great 'Uno Mas' a year before the Blue Note album of the same name. Price: 35 Euro
31. DYLAN, BOB: “Another Side of Bob Dylan” (CBS Sony – SONP-50286) (Record: Near Mint/ Jacket: Near Mint/ 4 Paged Insert: Excellent – age discoloration). Clean Japanese original for cheap. Price: 30 Euro
32. DYLAN, BOB: “John Wesley Harding” (CBS Sony – SONP-50140) (Record: Near Mint/ Jacket: Near Mint/ 4 Paged Insert: Excellent – age discoloration). Clean Japanese original for cheap. Price: 30 Euro
33. EDDIE COSTA: “Eddie Costa Quintet” (Overseas Record/ Teichiku – ULS-1862-V) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Mono high quality Japanese pressing. All complete with obi. Eddie Costa made only a few dates as a leader prior to his sudden death as a result of an automobile accident at the age of 31; this 1957 session is the best of them. Alternating between piano and vibes, Costa leads a quintet that includes Phil Woods, Art Farmer, Teddy Kotick and Paul Motian, featuring enjoyable interpretations of "I Didn't Know What Time It Was" and Dave Brubeck’s still fairly new "In Your Own Sweet Way," the latter of which focuses on Costa’s vibes and Farmer’s muted trumpet, with Woods switching to the piano. Each of the originals by Costa, Woods and Farmer is stimulating, although they have undeservedly languished in obscurity. Recorded for the long-defunct Mode label and this is a high quality Japanese mono pressing that will be glued to your ears. Price: 30 Euro
34. GIL EVANS ORCHESTRA: "Out Of The Cool" (Impulse - YP-8505-AI) (Record: Near Mint/ Gatefold Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Price: 30 Euro
35. GATO BARBIERI: “In Search Of The Mystery” (ESP Disk/ Nippon Phonogram – SFX-10724) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Clean as a whistle Japan first press original all complete with scarce obi. “In his early days, Gato Barbieri was a fiery improviser who rarely held back his emotional intent to play music that was less interested in formal structure. While not to the level of Sanders, Shepp or Coltrane, you could hear he was striving for that type of expressionism. Accompanying the young Argentine tenor saxophonist is a unique collection of musicians including the legendary cellist Calo Scott, bassist Sirone and drummer Bobby Kapp. While the string players swim around the rhythms of Kapp, Barbieri dives right in with no fear of the outcome, allowing the others to stretch into harmonic and sonic arenas of their own choosing. This democratic approach enhances the music without need for time signatures, although a sense of free-style bop does work its way into the pieces. Sirone is startlingly fresh, Scott’s famed work with Eric Dolphy only scratched the surface of what he accomplished in this group. Barbieri is on fire for the most part, but tends to snuff out the flames; then he roars back to life for most of these two extended improvisations. The difference in these tracks is both stark and subtle, as "In Search of the Mystery" and "Michelle" start low-key with Scott’s bowed cello, then roar free and spiritual à la Coltrane, go off in free-bop style with intensified high-pitched wails, and offer up solos from the string players. This in-and-out concept is further advanced during "Obsession #2" and "Cinematique," in that Barbieri’s squawking tones are matched in time by the wafting cello of Scott, Sirone’s insistent bass, and the roiling drumming of Kapp.  This clearly is visceral, forceful, and powerful creative music. A no-holds-barred drum solo and the uncomplicated blowing session mindset of the performers keep things ever interesting, whether a bit calmed or angered up. This unique recording is the one that ostensibly started it all, and must be considered one of his prime -- if not primal -- early works.” (All Music) Price: 35 Euro
36. GATO BARBIERI: “The Third World" (Flying Dutchman / King Records - SR-3165) (Record: Near Mint/ Gatefold Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Top shape Japan original pressing. Price: 15 Euro
37. GEINO YAMASHIROGUMI: “Osorezan” (Invitation – VIH-6010) (Record: Near Mint ~ Mint/ Jacket: Near Mint ~ Mint/ 4 Page Insert: Near Mint). Top condition copy of totally demented Japanese wyld psychedelic masterpiece. Price: 30 Euro
38. HALO OF FLIES: “Singles, Going Nowhere” (Amphetamine Reptile Records – ARR-5) (Record: Near Mint/ Jacket: Near Mint). US original press. Band from Minneapolis, which featured Tom Hazelmeyer (Amphetamine Reptile chief), as well as John Anglim and Tim Mac. They released a number of LPs and 7 records and broke up in 1990. Between 1985 and 1987 they recorded a whole number of 7-inch singles – Rubber Room, Rubber Room Revisited, Snapping Black Roscoe Bottles and Circling The Pile EP – all of which were collected on “Singles Going Steady Compilation” (cover art, just, like the title, reflected an homage to Buzzcocks). So essential, so necessary, just top shelf. Not rare but damned so killer it hurts! Price: 30 Euro
39. HANDY, JOHN: “Projections” (CBS Sony – SONP-50036) (Record: Mint/ Jacket: Mint still housed in shrink/ Obi: Mint – still housed in Shrink). Price: 30 Euro
40. HITLER SS b/w TAMPAX: “Hitler’s Vogue – Slave Naked – No Solution b/w U.F.O Dictator – Tampax (In The Cunt)” (Napalm Records) (EP Single: Near Mint/ 2 Sided Sleeve: Near Mint/ Insert: Near Mint). Long gone and out of print high quality limited reissue of this awesome Italian punk two-sider. Really killer punk single with two bands taken up each one side of the EP. Both are stellar and especially Hitler SS is a head cleaner, blessed with fluid spacey and quite psychedelic sounding guitar playing that stands out against the snotty and snarly vocals, underscored by a primitive but very effective rhythm section. But the guitar is killer and makes me feel like a trigger-happy cop in a fear frenzy! So awesome and one of my all time fave punk releases!!! That aside I love the politically incorrect band names, you can’t hardly go wrong with those without kicking some bourgeois sucker in the crotch. Love these kids embryonic sense of humor!!! A brilliant mix of defiance and despair! What ya want more? Price: 40 Euro
41. HORACE SILVER TRIO: “New Faces – New Sounds” (Blue Note/ Toshiba – Blue Note 5018/ BN-0008) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Nice and cool Japanese press issue of early Horace Silver date for Blue Note. Top shape, crystal-clear pressing for your audiophile needs and complete with obi. Price: 30 Euro
42. HORACE SILVER TRIO and ART BLAKEY: “S/T” (Blue Note/ Toshiba – Blue Note 5034/ BN-0008) (Record: Near Mint/ Jacket: Near Mint/ Insert: Near Mint/ Obi: Near Mint). Companion and follow-up recording to the one listed above. Another early outing for Horace Silver on the Blue Note label but this time flanked by drum mercenary and all-time rhythm wonder Art Blakey. Pure uncut fire! Clean as a baby’s ass, crystal-sounding audiophile Japanese pressing for your late-night listening guilty pleasures. All complete with obi to boot. Price: 30 Euro